Rebecca WhiteShock Advertising and EthicsSkorupa (see Yan and Sindy, 2020) defines shock advertising as a tactic used both by for-profit and non-profit organisations to either…Oct 25, 2022Oct 25, 2022
Rebecca WhiteHow the Figure of the Flâneur and Simmel’s ‘Metropolis and Mental Life’ reflect the modernity of…A Flâneur is a key figure when mapping the modernity of the city as they are a “passionate ob-server” (Baudelaire, 1863, pg 4), this…Oct 25, 2022Oct 25, 2022
Rebecca WhiteHow the city is represented in 28 Days LaterJim’s walk after waking up from a coma shows a very different London to what both Jim and the spectators are used to seeing. The role of…Oct 25, 2022Oct 25, 2022
Rebecca WhiteThe Rise of the Action HeroineThe Male Gaze is a theory by Laura Mulvey where she suggests that the role of a woman in cinema is to be passive and be an object for both…Oct 25, 2022Oct 25, 2022
Rebecca WhiteFaith Akin’s ‘Head On’ and Accented CiNaficy describes accented cinema as “an aesthetic response to the experience of displacement through exile, migration and diaspora”…Oct 25, 2022Oct 25, 2022
Rebecca White‘Snowpiecer’ as Transnational CinemaTransnational cinema is described as “the global forces that link people or institutions across nations…decline of national sovereignty as…Oct 25, 2022Oct 25, 2022
Rebecca White‘Wandavision’: A successful show in demonstrating Genre HybridityGenre hybridity according to Bignell (2004) occurs when a programme blurs boundaries between genres and intertextually takes different…Oct 25, 2022Oct 25, 2022
